Blade Runner (1982): The Final Cut

Blade Runner (1982)

On December 18, Warner will release a definitive version of director Ridley Scott’s cult classic Blade Runner: The Final Cut, a fusion of film noir and science fiction The DVD set will also feature four other versions of the movie. The film will be available in both HD formats and in three different DVD editions, with the final cut also receiving select theatrical releases in New York, Los Angeles and the Venice Film Festival.  More from Variety.

Update 31 July 2007: Hollywood.com Interview with Ridley Scott on his memories of making Blade Runner.

New DVD Set: Film Noir Classic Collection Vol. 4

Films Noir Collection DVD

On July 31, Warner Home Video, will release Film Noir Classic Collection, Vol. 4, which contains a bumper 10 remastered movies on five double DVDs from the classic film noir period of the 40s and 50s:

Act of Violence / Mystery Street
Crime Wave / Decoy
Illegal / The Big Steal
They Live By Night / Side Street
Where Danger Lives / Tension

Each DVD in the set can be purchased separately.

The DVD release has reviewed by Glenn Erickson of DVDTalk.Com, with a focus on They Live By Night and Side Street.

Update 7 Aug 2007: Decoy has been has been reviewed on Noir Of the Week.
Update 8 Aug 2007: All movies on the DVD are reviewed in filmjournal.net by clydefro.
Update 9 Aug 2007: All movies on the DVD are reviewed by Adnan Tezer at dvd.monstersandcritics.com.
Update 13 Aug 2007: All movies on the DVD are reviewed by dvdverdict.com.
Update 14 Aug 2007: All movies on the DVD are reviewed by The Shelf DVD Reviews.
Update 21 Aug 2007: All movies on the DVD are reviewed by Film Forno.
Update 9 Sep 2007: An interesting review of the DVD and film noir generally by Cullen Gallagher of The Brooklyn Rail.

These movies are a feast for noir fans with many of the top-level directors and stars of the period featured:

Act Of Violence / Mystery Street

Act of Violence (1948)
Cast:
Van Heflin, Robert Ryan, Janet Leigh, Mary Astor, Phyllis Thaxter
Director: Fred Zinnemann
War veteran Frank Enley seems to be a happily married small-town citizen until he realises Joe Parkson is in town. It seems Parkson is out for revenge because of something that happened in a German POW camp, and when a frightened Enley suddenly leaves for a convention in L.A., Parkson is close behind.

Mystery Street (1950)
Cast:
Ricardo Montalban, Sally Forrest, Bruce Bennett, Elsa Lanchester, Marshall Thompson
Director: John Sturges
Vivian, a B-girl working at “The Grass Skirt,” is being brushed off by her rich, married boyfriend. To confront him, she hijacks drunken customer Henry Shanway and his car from Boston to Cape Cod, where she strands Henry…and is never seen again. Months later, a skeleton is found (sans clothes or clues) on a lonely Cape Cod beach. Using the macabre expertise of Harvard forensic specialist Dr. McAdoo, Lt. Pete Morales must work back from bones to the victim’s identity, history, and killer. Will he succeed in time to save an innocent suspect?

Crime Wave / Decoy

Crime Wave (1954)
Cast:
Sterling Hayden, Gene Nelson, Phyllis Kirk, Ted de Corsia, Charles Bronson
Director: André De Toth
Three San Quentin escapees kill a cop in a gas-station holdup. Wounded, Morgan flees through black-shadowed streets to the handiest refuge: with former cellmate Steve Lacey, who’s paroled, with a new life and lovely wife, and can’t afford to be caught associating with old cronies. But homicide detective Sims wants to use Steve to help him catch Penny and Hastings, who in turn extort his help in a bank job. Is there no way out for Steve?

Decoy (1946)
Cast: Jean Gillie, Edward Norris, Robert Armstrong, Herbert Rudley, Sheldon Leonard
Director: Jack Bernhard
Gangster Frank Olins (Robert Armstrong) is to die in the gas chamber much to the dismay of his girlfriend Margot Shelby (Jean Gillie) as he is carrying the secret of the location of $400,000 with him. Margot seduces gangster Jim Vincent (Edward Norris) to get him to engineer the removal of Olins’ body from the prison immediately after he dies in the gas chamber. She takes prison doctor Craig (Herbert Rudley) away from his nurse/girl friend (Marjorie Woodworth) and gets him to administer an antidote for cyanide gas poisoning. During the removal of Olins’ body, the hearse driver is killed by Tommy (Phil Van Zandt). The revived Olins gives Margot half of a map showing the money location and Vincent, in a fit of jealousy, kills Olins and takes the other half. Because the doctor’s plates on his car will get them through the police roadblocks, Vincent and Margot take him with them on the money hunt.

Illegal / The Big Steal

Illegal (1955)
Cast: Edward G. Robinson, Nina Foch, Hugh Marlowe, Robert Ellenstein, DeForest Kelley
Director: Lewis Allen
Ambitious D.A. Victor Scott zealously prosecutes Ed Clary for a woman’s murder. But as Clary walks “the last mile” to the electric chair, Scott receives evidence that exonerates the condemned man. Realizing that he’s made a terrible mistake he tries to stop the execution but is too late. Humbled by his grievous misjudgement, Scott resigns as a prosecutor. Entering private practice, he employs the same cunning that made his reputation and draws the attention of mob kingpin, Frank Garland. The mobster succeeds in bribing Scott into representing one of his stooges on a murder rap and Scott, in a grand display of courtroom theatrics, wins the case. But soon Scott finds himself embroiled in dirty mob politics. The situation becomes intolerable when his former protégé in the D.A.’s office is charged with a murder that seems to implicate her as an informant to the Garland mob. Can Victor defend the woman he secretly loves and also keep his life?

The Big Steal (1949)
Cast:
Robert Mitchum, Jane Greer, William Bendix, Patrick Knowles, Ramon Novarro
Director: Don Siegel
Jane and Duke (alias Capt. Blake) accidentally meet in Vera Cruz while chasing flim-flam man Fiske. Soon the local Inspector General (El Gato) is involved. Fiske races across Mexico, pursued by Jane and Duke, trailed by the real Capt. Blake. The crafty Inspector General is waiting for them in Tihuacan but they all give him the slip, just in time for the climactic finale. Very tight script and pacing.

They Live By Night / Side Street

They Live by Night (1948
Cast:
Farley Granger, Cathy O’Donnell, Howard Da Silva, Jay C. Flippen, Helen Craig
Director: Nicholas Ray
In the ’30s, three prisoners flee from a state prison farm in Mississippi. Among them is 23-yo Bowie, who spent the last seven years in prison and now hopes to be able to prove his innocence or retire to a home in the mountains and live in peace together with his new love, Kitty. But his criminal companions persuade him to participate in several heists, and soon the police believe him to be their leader and go after “Bowie the Kid” harder than ever.

Side Street (1950)
Cast:
Farley Granger, Cathy O’Donnell, James Craig, Paul Kelly, Jean Hagen
Director: Anthony Mann
Joe Norson, a poor letter carrier with a sweet, pregnant wife, yields to momentary temptation and steals $30,000 belonging to a pair of ruthless blackmailers who won’t stop at murder. After a few days of soul-searching, Joe offers to return the money, only to find that the “friend” he left it with has absconded. Now every move Joe makes plunges him deeper into trouble, as he’s pursued and pursuing through the shadowy, sinister side of New York.

Where Danger Lives / Tension

Where Danger Lives (1950)
Cast: Robert Mitchum, Faith Domergue, Claude Rains, Maureen O’Sullivan, Charles Kemper
Director: John Farrow
One night at the hospital, young doctor Jeff Cameron meets Margo, who’s brought in after a suicide attempt. He quickly falls for her and they become romantically involved, but it turns out that Margo is married. At a confrontation, Margo’s husband accidentally gets killed and Jeff and Margo flee. Heading for Mexico, they try to outrun the law.

Tension (1950)
Cast: Richard Basehart, Audrey Totter, Cyd Charisse, Barry Sullivan, Lloyd Gough
Director: John Berry
A mousy drugstore manager turns killer after his conniving wife leaves him for another man. He devises a complex plan, which involves assuming a new identity, to make it look like someone else murdered her new boyfriend. Things take an unexpected turn when someone else commits the murder first and he becomes the prime suspect.

New DVD: Scarface (1932)

Scarface 1932

Scarface (1932) directed by Howard Hawks and starring Paul Muni, the proto-ganster flick, has just been released on DVD from a pristine transfer. Buy the DVD

The New York Times review yesterday by David Kehr:

this is the greatest of the early-30s gangster films. Paul Muni, in what would remain his most uninhibited performance, is the simian title character, a thinly disguised Al Capone who machine-guns his way to the top of the Chicago rackets. (In a darkly playful touch, each of his assassinations is marked, somewhere in the frame, by an X.) Universal has made a new transfer of this essential title, making it available for the first time on DVD apart from its perverse inclusion as an extra in the deluxe edition of Brian De Palma’s dimly satirical, ultraviolent 1983 remake with Al Pacino.

Hawks’ film begins as an uncomfortably exhilarating comedy about the joys of unchecked desire, and ends as an expressionistic horror movie with howls of madness and intimations of incest. This disc includes a censor-pleasing alternate ending in which Muni’s Tony Camonte is caught, convicted and hanged, instead of going down, still a compelling force of nature, in the heat of battle.

Scarface 1932

New DVD: Ace In The Hole (1951)

Ace In The Hole (1951)

A new Criterion DVD of the classic film noir, Ace in the Hole (1951), directed by Billy Wilder and starring Kirk Douglas, is now out and has been reviewed by Lou Lumenick in the New York Post:

“It’s dark for 2007, let alone for 1951,” says Spike Lee, who admits to stealing the flick’s famous last shot – stricken star Kirk Douglas falling, his eye within inches of the camera – for “Malcolm X.” More

Spike Lee is featured in one of the many special features on the DVD, which include a 1980 feature-length documentary on Wilder and vintage interviews with Wilder and Kirk Douglas.

Update 20 July 2007: Two more reviews of this DVD release have appeared:

Wilder’s Bleak Commentary Comes Up Ace by Chris Garcia on Austin360.com –

Some call it satire. If so, it’s satire of the bleakest stripe. It is certainly “newspaper noir,” a sub-genre marked by tough, ink-stained downers like “Sweet Smell of Success” and “Underworld Story” that expose the power of the press when it’s gone sour and scheming.

Noir’s window into American society is filthy but clear. “Ace in the Hole” presents more than a view through it. It offers a timely reflection, pushing the movie past a crack thriller and grim character study to something elegiac and urgent.

Presence of Malice by Jack Shafer on SLATE –

“Ace in the Hole” disturbs journalists because they recognize too much of themselves and their colleagues in the film’s loathsome protagonist, Charles Tatum (Kirk Douglas). Like most classic film noir tough guys, Tatum is running from a sordid past. He’s stranded in Albuquerque with no money and a car with bad tires and a burned bearing, so he ambles into the Sun-Bulletin office and pitches the straight-laced editor for a job…

New DVD – James Ellroy: American Dog

LA Confidential

DVD Savant, Glenn Erickson, reviews this new DVD on noir novelist, James Ellroy, who penned LA Confidential:

Arte’s DVD of James Ellroy: “American Dog” is an excellent presentation of a show with a beautiful look; the views of Los Angeles are a slick tour of a noir city. The audio is good and the music editorial excellent, with those classical pieces weaving in and out of Ellroy’s edgy speeches. An extras menu leads to several interesting sidebar videos. Two dinner conversations with Ellroy and his friends (Rick Jackson, Bruce Wagner, Dana Delaney, Joe and Matthew Carnahan, Michelle Grace) at the Pacific Dining Car are followed by a 2005 reading of American Tabloid at the Hammer Museum by Ellroy, Bruce Wagner and Dana Delany. Ellroy is presented with the ‘Jack Webb Award’ by the LAPD, an honor that must have been a prelude to the film’s interview with the oddly worshipful Chief Bratton. Galleries of vintage L.A. postcards, and gruesome crime scene photos finish the presentation. More

The Stranger (1946)

Watch , The Stranger, an Orson Welles’s noir on-line free at RetroTV. Stars Edward G. Robinson, Loretta Young, and Orson Welles. IMDB Rating 7.5/10. From the New York Times review of the movie’s recent DVD release:

Undercurrent (1946): A Katharine Hepburn Film Noir?

Undercurrent

From a review by Jamie S. Rich of DVD Talkof the just released Katharine Hepburn 100th Anniversary Collection DVD Box Set (Warner Bros. US$59.95)

Undercurrent has started to pick up a bit of a reputation as a film noir. I first heard of the film last year when it played as part of a noir festival at the Northwest Film Center. I’m not really sure it qualifies, however, unless we can establish a subgenre of women’s noir. The plot has more in common with Victorian melodramas like Wuthering Heights and the work of Daphne Du Maurier (and her frequent adapter Alfred Hitchcock) than it does the moody expressionism of Fritz Lang or Jules Dassin. Genre hair-splitting aside, however, I found Undercurrent to be absolutely riveting. [Director Vincent] Minnelli creates a palpable sense of foreboding that lingers over the picture, ratcheting up the suspense each time Anne finds something new to cause her to doubt her husband’s story only to be placated by his wily explanations. You just know that eventually one of these things is going to be too large for him to erase, and then Anne is going to be in real trouble.”

Robert Mitchum has a supporting role.

Film Noir DVDs Available at Amazon: Full List

A Double Life (1947)
Against All Odds (1984)
Anatomy Of A Murder (1959)

Angel Face

Angel Face (1953)
Another Man’s Poison (1951)
Black Angel (1946)
Bob le Flambeur (1955)
Body And Soul (1947)
Boomerang (1947)
Born to Kill (1947)
Breathless (1960)
Brute Force (1947)
C-Man (1949)
Call Northside 777 (1948)
Chinatown (1974)
Classic Film Noir
Cold Around the Heart (1997)
Collector’s Classics: Film Noir
Color of Night (1994)
Crime of Passion (1957)
Criss Cross (1948)
Crossfire (1947)
Dark City: Lost World of Film Noir
Dark Passage (1947)
Deadly Pursuits (1996)
Detour (1946)
Diabolique (1954)
DOA (1950)
Double Indemnity (1944)
East Side Kids (1940)
Fallen Angel (1945)
Farewell My Lovely (1975)
Fear in the Night (1947)
Film Noir – Quicksand/Scarlet Street/Suddenly (1954)
Film Noir Classics Collection(s)
Film Noir Collection – Gilda/In A Lonely Place/The Killers/Double Indemnity
Film Noir Double Feature(s)
Film Noir Pack: Postman Always Rings Twice/Dark Passage/Bad and the Beautiful
Film Noir Thrillers (1945)
Film Noir: Killer Classics (1946)
Film Noir: The Dark Side of Hollywood
Film Noir: The Stranger/Borderline/He Walked Night/Call It Murder/The Red House/DOA/Kansas
Force Of Evil (1948)
Forgotten Noir
Forgotten Noir Collector’s Set
Forgotten Noir: Kit Parker Double Features
Fox Film Noir
Raw Deal (1948)
T-Men (1947)
Gilda (1946)

Gun  Crazy

Gun Crazy (1949)
Hammer Film Noir Collector’s Set
Hard Eight (1997)
He Walked Night (1948)
High and Low (1962)
Hommage A Noir Hommage a Noir (DVD – 2006)
I Wake Up Screaming (1941)
In A Lonely Place (1950)
Jigsaw (1949)
Key Largo (1948)
Killer’s Kiss (1955)
Kiss Me Deadly (1955)
Kiss of Death (1947)
Laura (1944)
Le Corbeau (1943)
Leave Her To Heaven (1946)
Lured (1947)
Man in the Vault (1956)
Max Allen Collins: The Black Box Collection: Shades of Neo-Noir (2006)
Mildred Pierce (1945)
Mr Arkadin (1955)
Naked City (1948)
Natural City (2003)
Niagara (1952)
Night and the City (1950)
Nightmare Alley (1947)
Odds Against Tomorrow (1959)
On Dangerous Ground
Out of the Past (1947)
Possessed (1947)
Pulp Cinema
Quai des Orfevres (1947)
Quicksand (1950)
Railroaded (1947)
Raw Deal (1948)
Ring of Fear (1955)
Scarlet Street (1945)
Shoot the Piano Player (1960)
Shoot to Kill (1947)
Slightly Scarlet (1956)
Somewhere in the Night (1946)
Strange Illusion (1945)
Strange Impersonation (1946)
Strangers On A Train (1951)
Sunset Boulevard (1950)
T-Men (1947)
The Asphalt Jungle (1950)
The Best Of Film Noir (2000)
The Big Clock (1948)

The Big Combo

The Big Combo (1955)
The Big Heat (1953)
The Big Sleep (1946)
The Blue Dahlia (1946)
The Blue Gardenia (1953)
The Blue Iguana (1988)
The Chase (1947)
The Cover Up (1949)
The Dark Corner (1946)
The Enforcer (1951)
The Girl From Rio (1939)
The Harder They Fall (1956)
The Hitch-Hiker (1953)
The House on Telegraph Hill (1951)
The Killers (1946)
The Killing (1956)
The Lady from Shanghai (1948)
The Long Night (1947)
The Maltese Falcon (1941)
The Naked City (1948)
The Night Of The Hunter (1955)
The Postman Always Rings Twice (1946)
The Scar (1948)
The Second Woman (1951)
The Set-Up (1949)
The Spiral Staircase (1946)
The Strange Love Of Martha Ivers (1946)
The Strange Love of Martha Ivers – Lady of Burlesque (1946)
The Stranger (1946)
The Sweet Smell Of Success (1957)
The Thief (1952)
The Third Man (1949)
The Third Man – Criterion Collection (1949)
The Ultimate Film Noir Collection
Therese Raquin (1953)
They Made Me a Fugitive (1947)
They Made Me a Killer (1946)
Thieves’ Highway (1949)
This Gun for Hire (1942)
Too Late for Tears (1949)
Touch Of Evil (1958)
Tough Luck (2003)
Triple Cross (2004)
Ultimate Film Noir Collection
Union City (1979)
Vertigo (1958)
Western Film Noir
Wet Asphalt (1958)
Where the Sidewalk Ends (1950)

New Film Noir DVDs: The Third Man (1949) and Scarface (1932)

The Third Man (Criterion US$40)

The Third Man

With Joseph Cotten, Orson Welles, Alida Valli and Trevor Howard in a
classic film noir set in World War II Vienna. Penned by Graham Greene
and directed by Carol Reed, it features provocative performances and off-kilter
atmospheric shots of Vienna, wherec it was shot on location.

This new two-disc set includes a new, restored high-definition
digital transfer of the British version of the film and great extras.
Commentaries by Steven Soderbergh and writer Tony Gilroy, and film
historian Dana Polan , a 2005 documentary, Shadowing ‘The Third Man,
a 1968 episode from the BBC’s Omnibus series featuring a rare interview
with GrahameGreene, and an unusual 2000 Australian documentary Who Was
the Third Man?

Scarface (Universal US$15)

Scarface

Howard Hawks’ seminal 1932 gangster movie. The rise and fall of mobster Tony
Camonte (Paul Muni).

Genres Meet in Canyon Passage (1946): A Noir Western

Canyon Passage

Critic’s Choice: New DVDs By Dave Kehr New York Times May 15, 2007

Jacques Tourneur’s 1946 Canyon Passage is a western that resembles no other and remains one of the great unsung achievements of American filmmaking… More