Jean Gabin Retrospective

La bête humaine (1938)

Thanks to the mysterious Dark City Dame for a heads up on these screenings.

The American Cinematheque will this weekend (Sept 6-7) at The Egyptian Theatre, 6712 Hollywood Boulevard in Hollywood, screen four films starring French screen legend, Jean Gabin, under the banner Jean Gabin: The World’s Coolest Movie Star:

The Sicilian Clan (Le Clan Des Siciliens), 1969, 20th Century Fox, 118 Min
Moontide¸ 1942, 20th Century Fox, 94 Min
House On The Waterfront (Port Du Désir), 1955, 94 Min. Dir. Edmund T. Gréville
Grisbi (Touchez Pas Au Grisbi), 1954, Rialto Pictures, 88 Min. Dir. Jacques Becker

The full schedule and trailers are available here.

Apropos Jean Gabin – my favorite French tough guy – he starred in most of the poetic-realist French movies of the 30s, which were really the pre-cursors of Hollywood noir.  As Geoff Mayer and Brian McDonnell say in their book, Encyclopedia of Film Noir (Greenwood Press 2007): “in these movies an ironical poetry was found in the everyday: hence the term poetic realism. The iconography of the cycle included the shiny cobblestones of nighttime Parisian streets (the faubourgs), the shadowy interiors of neon-lit nightclubs, and the moody, haunted, doom-laden faces of actors such as Jean Gabin. As well as inspiring Hollywood film-makers, who viewed them admiringly, some of these French films were actually remade as American noirs, for example, Le Chienne (1931) was remade as Scarlet Street (1945), La bête humaine (1938) as Human Desire (1954), Pépé Le Moko (1937) as Algiers (1938), Le Jour se lève as The Long Night (1947), and Le Corbeau (1943) as The Thirteenth Letter (1951).”

I saw La bête humaine a few years back and it is everything we would expect in a film noir of the 40s with a really downbeat ending.

Reports from David Goodis Retrospective

Dark Passage (1947)
Dark Passage (1947)

In his The Evening Class blog, Michael Guillen, has posted a series of reports and interviews from The Dark Cinema of David Goodis series, including introductory remarks to each screening from Eddie Muller and Pacific Fim Archives director Steve Seid:

The Dark Cinema of David Goodis Series

Nightfall (1957)

Streets of No Return: The Dark Cinema of David Goodis will run from August 1 – 23 at the Pacific Film Archive. Kelly Vance in a feature in today’s East Bay Express, previews the program and gives a short biography of Goodis.

The films to be shown:

And Hope to Die
The Burglar
The Burglars
Dark Passage
Descent into Hell
Nightfall
The Professional Man x Two
Shoot the Piano Player

The Unfaithful

There is a full program at the Archive’s web site.

Full Program for French Crime Wave Series Now Out

Pépé Le Moko (1937)Pépé Le Moko (1937)

Further to my post of July 11, the full program for the The French Crime Wave: Film Noir & Thrillers 1937-2000 series is now available on the New York Film Forum Web Site. The Series has been dedicated to the memory of Jules Dassin, who died this year.

Over four weeks from August 8 to September 4 the NY Film Forum Movie House, 209 West Houston Street, New York NY 10014, will screen 38 French films noir and thrillers:

Band Of Outsiders
Bob Le Flambeur
Borsalino
Breathless
Casque D’or
Le Cercle Rouge
La Cérémonie
Classe Tous Risques
The Clockmaker
Coup De Torchon
Diabolique
Le Doulos
Elevator To The Gallows
Eyes Without A Face
Un Flic
Garde À Vue
Goupi Mains Rouges
A Man Escaped
Mississippi Mermaid
Murderous Maids
Pépé Le Moko
Pickpocket
Pierrot Le Fou
La Piscine
Police Python 357
Purple Noon
Quai Des Orfèvres
Rififi
Riptide
Série Noire
Shoot The Piano Player
The Sicilian Clan
The Thief Of Paris
Les Tontons Flingueurs
Touchez Pas Au Grisbi
La Vérité
The Wages Of Fear
We Are All Murderers

The French Crime Wave: Film Noir & Thrillers 1937-2000

Over four weeks from August 8 to September 4 the NY Film Forum Movie House, 209 West Houston Street, New York NY 10014, will screen 39 (!) French films noir and thrillers.

The full program has not yet been released, but the French Embassy’s French culture site has released early details:

This festival of 39 prime examples opens with the late ex-pat Jules Dassin’s classic heist picture Rififi, which kick-started a whole new cycle of French Noir, and includes both classics and rarities by such masters of the genre as Jean-Pierre Melville (Bob le flambeur, Le Cercle rouge, Un flic), Jacques Becker (Touchez pas au grisbi), Henri-Georges Clouzot (Diabolique, Wages of Fear), Georges Franju (Eyes Without a Face), René Clément (Purple Noon), Louis Malle (Elevator to the Gallows), Claude Chabrol (La Cérémonie), and François Truffaut’s Mississippi Mermaid, The Bride Wore Black). Among the many stars showcased are the five great hommes durs (tough guys) of the genre — Jean Gabin, Lino Ventura, Yves Montand, Jean-Paul Belmondo, and Alain Delon — and such femmes fatales as Simone Signoret, Jeanne Moreau, Catherine Deneuve, and Brigitte Bardot. The festival concludes with a one-week run of Truffaut’s Shoot the Piano Player.

Samuel Fuller Restrospective in St. Louis

Underworld USA (1961)The Webster University Film Series will present a Samuel Fuller film each Thursday through July, starting tonight with his directorial debut, I Shot Jesse James (1949).

Coming up:

Pickup on South Street (1949) – July 10
Underworld, U.S.A (1961) – July 17
Shock Corridor (1963)  – July 24
The Big Red One (1980) – July 31

Rare Screenings at Fifth Annual Albuquerque Film Noir Festival

Repeat Performance

This year’s 5th Annual Noir Film Festival, which started Friday today at the Guild Cinema in Nob Hill, Albuquerque (3405 Central Ave NE  255-1848), features some rarely screened titles that should have local film noir fans very excited:

JUNE 20 & 21 (FRIDAY & SATURDAY):

The Hidden Room

DOUBLE INDEMNITY (3:00, 7:00)
Dir. Billy Wilder – 1944 – 107m

THE HIDDEN ROOM (a.k.a. OBSESSION) (5:10, 9:10)
Dir. Edward Dmytryk – 1949 – 96m – UK

JUNE 22 & 23 (SUNDAY & MONDAY):

REQUIEM FOR A HEAVYWEIGHT
The Original “Playhouse 90” Live Television Version (3:30, 7:00)
Dir. Ralph Nelson – 1956 – 90m

99 RIVER STREET (5:15, 8:45)
Dir. Phil Karlson – 1953 – 86m

JUNE 24 & 25 (TUESDAY & WEDNESDAY):

The Pretender

REPEAT PERFORMANCE (5:15, 8:30)
Dir. Alfred L. Werker – 1947 – 91m

THE PRETENDER (7:00 ONLY)
Dir. W. Lee Wilder – 1947 – 69m

JUNE 26 & 27 (THURSDAY & FRIDAY):

TOMORROW IS ANOTHER DAY (3:10, 7:00)
Dir. Felix E. Feist – 1951 – 90m

KANSAS CITY CONFIDENTIAL (5:00, 8:45)
Dir. Phil Karlson – 1952 – 99m

JUNE 27 & 29 (SATURDAY & SUNDAY):

WIDMARK AND DASSIN
NIGHT AND THE CITY (2:30, 6:30)

ROAD HOUSE (4:30, 8:30)
Dir. Jean Negulesco – 1949 – 95m

JUNE 30 & JULY 1 (MONDAY & TUESDAY):

RARELY-SCREENED JOSEPH LOSEY
THE BIG NIGHT (5:30, 8:35)
Dir. Joseph Losey – 1951 – 75m

QUICKSAND (7:05 ONLY)
Dir. Irving Pichel – 1949 – 79m

JULY 2 & 3 (WEDNESDAY & THURSDAY):

CINEMATOGRAPHER JOHN ALTON IN TECHNICOLOR
SLIGHTLY SCARLET (5:00, 9:00)

JOSEPH LOSEY IN THE U.K.
THE CRIMINAL (7:00 ONLY)
Dir. Joseph Losey – 1960 – 97m – UK – Shown on digital video

JULY 4 & 5 (FRIDAY & SATURDAY):

CRY OF THE CITY (3:30, 7:05)
Dir. Robert Siodmak – 1948 – 95m

RARE SCREENING
CELL 2455, DEATH ROW (5:30, 9:05)
Dir. Fred F. Sears – 1955 – 77m


JULY 6 & 7 (SUNDAY & MONDAY):

RESTORED 35MM PRINT
THE BLACK BOOK (a.k.a. REIGN OF TERROR) (3:30, 7:00)
Dir. Anthony Mann – 1949 – 89m

STRANGE ON THE RANGE!
TERROR IN A TEXAS TOWN (5:20, 8:45)
Dir. Joseph H. Lewis – 1958 – 81m

JULY 8 & 9 (TUESDAY & WEDNESDAY):

No Way Out

THE CRIMSON KIMONO (5:20, 9:05)
Dir. Sam Fuller – 1959 – 81m

RICHARD WIDMARK
NO WAY OUT (7:00 ONLY)
Dir. Joseph L. Mankiewicz – 1950 – 106m

Full details here.

8th Annual Palm Springs Film Noir Festival: Rare Screenings

The 8th Annual Palm Springs Film Noir Festival over May 29 – June 1, 2008 features a number of rare and obscure titles only available on the big screen. The festival will screen 12 features at Camelot Theatre, 2300 Baristo Road, Palm Springs Ca. – Telephone (760) 325-6565.

The program is a veritable feast of intriguing movies that have not been available for many years – two are so obscure I couldn’t find a poster:

The Killers 1964

Thursday May 29 7:30 pm – OPENING NIGHT
Special Guest: Angie Dickinson
The Killers (1964) 95m.
DIR: Don Siegel
Lee Marvin, Angie Dickinson, John Cassavetes, Clu Galager, Ronald Reagan

Remake of the Siodmak noir based on the Hemmingway short story.

The Chase

Friday May 30 10:00 am
The Chase (1946) 86m.
DIR: Arthur Ripley
Robert Cummings, Steve Cochran, Peter Lorre, Michele Morgan

A down-and-out roustabout (Cummings) is hired by a vicious gangster (Cochran) and quickly gets down-and-dirty with his lovely wife (Morgan). Restored 16mm print.

The Threat

Friday May 30 1:00 pm
The Threat (1949) 66m.
DIR: Felix Feist
Charles McGraw, Michael O’Shea, virginia Grey, Julie Bishop

Ruthless killer escapes prison, kidnapping the cop and D.A. who helped jail him while leading a wild escape into the California high desert. The action moves at a breakneck pace; a veritable highlight reel of malicious mayhem courtesy of ultimate noir baddie, CharlesMcGraw.

Friday May 30 4:00 pm
Special Guest: Margia Dean
Treasure of Monte Cristo (1949) 79m.
DIR: William Berke
Glenn Langan, Adele Jergens, Steve Brodie, Margia Dean

A freighter officer, (Langan) a descendant of the Count of Monte Cristo, is framed for murder and tries to puzzle it out. Shot on location in San Francisco and starring the husband and wife team of Langan and Jergens.

Lady in The Lake

Friday May 30 7:30 pm
Special Guest Jayne Meadows
Lady in the Lake (1947) 105m.
DIR: Robert Montgomery
Robert Montgomery, Lloyd Nolan, Audrey Totter, Jayne Meadows

Robert Montgomery offers a terse rendition of Philip Marlowe from an unusual first-person camera perspective via Steve Fisher’s screen adaptation of Chandler’s novel of the same title.

Saturday May 31 10:00 am
Smooth as Silk (1946) 64m.
DIR: Charles Barton
Kent Taylor, Virginia Grey, Jane Adams, MIlburn Stone

Respected attorney (Taylor) concocts a plot of vengeance after learning his sweetheart has jilted him for a wealthy producer.

Dead Reckoning

Saturday May 31 1:00 pm
Dead Reckoning (1947) 100m.
DIR: John Cromwell
Humphrey Bogart, Lizabeth Scott, Morris Carnovsky, William Prince

Bogart is a mustered out vet who heads down south searching for a buddy who took a powder on the Medal of Honor. He runs into big trouble with femme fatale Scott and gangster Carnovsky.

Man in The Vault

Saturday May 31 4:00 pm
Special Guest Karen Sharpe Kramer
Man in the Vault (1956)
DIR: Andrew V. McLaglen
William Campbell, Karen Sharpe, Anita Ekberg, Barry Kroeger

An innocent locksmith (Campbell) is seduced into participating in a robbery by femme fatale (Sharpe) to his eternal regret.

Bunny Lake is Missing

Saturday May 31 7:30 pm
Special Guest Carol Lynley
Bunny Lake is Missing (1965) 107m.
DIR: Otto Preminger
Laurence Olivier, Carol Lynley, Keir Dullea, Noel Coward

Lynley and her brother report the apparent disappearance of her daughter from a British preschool. The only problem is Police Supt. Olivier can find no evidence that the girl existed.

Without Warning

Sunday June 1 10:00 am
Without Warning (1952) 77m.
DIR: Arnold Laven PRODUCERS: Arthur Gardner and Jules Levy

Professional gardener Carl Martin (Adam Williams) ably portrays a vicious psychopath with a thing for young blondes… and garden shears. One of the first Hollywood send-ups of the redoubtable serial killer, superbly crafted and almost never shown theatrically.

Talk About a Stranger

Sunday June 1 1:00 pm
Special Guest Billy Gray
Talk about a Stranger (1952) 65m.
DIR: David Bradley
George Murphy, Nancy Davis, Billy Gray, Lewis Stone, Kurt Kasznar

A compelling tale about a young boy, convinced his new neighbor poisoned his dog, which launches a quest for justice that careens out of control. Camera work by John Alton.

Night Editor

Sunday June 1 4:00 pm
Night Editor (1946) 66m.
DIR: Henry Levin
William Gargan, Janis Carter, Jeff Donnell, Coulter Irwin

Police detective (Gargan) can’t report a murder he witnessed because it would involve exposing an adulterous affair he was having with a socialite (Carter) with an overactive libido.

Appointment With a Shadow

Sunday June 1 7:30 pm
Appointment with a Shadow (1958) 73m.
George Nader, Joanna Moore, Brian Keith, Frank DeKova

While trying to score the lowdown on a big story, an alcoholic reporter becomes the target of a diabolical murder plot.

Get full program details from the Palm Springs Festival Film Noir site.

View the full size posters by clicking here: [piclens-lite-link]

Noir Motifs and the Allure of Noir: The Lure of Certain Doom

Where Danger Lives

Jim Ridley of the Nashville Scene has written an excellent article, The Naked City, on the film noir genre and its allure, while reporting on the upcoming Nashville Film Noir Festival:

… real-life ruin with plausibly grubby motives… all angular shadows and slashing black-and-white… [protagonists] either slaves to temptation and lust, or tarnished knights honor-bound to clean up their mess. Hard-edged in style, hard-headed in content and [with] their resolute lack of sentiment, these movies were existentialist to the core. You made a bad choice, and you lived—or more often, died—by the consequences.
[Dark Soul] …sums up the allure of noir: the chance to experience, vicariously, how it would feel to act on the impulses we’ve been wisely conditioned to ignore.

American Cinema: Film Noir and the Detective Film

The Modern Art Museum of Fort Worth is offering a free four-part lecture and film noir series taught by Dr. David E. Whillock, Professor and Associate Dean of the College of Communications at Texas Christian University. This series is an abbreviation of a full course offered through the TCU Master of Fine Arts program. Each lecture will be followed by a film screening and a question-and-answer session . The text used for the series is Film Noir: The Dark Side of the Cinema by Foster Hirsch.

Wednesday, September 5, 6–8:40 pm
Literary Influences: The Hard Boiled Detective Novel
Screening: Murder My Sweet (1944, directed by Edward Dmytryk)

Wednesday, September 26, 6–8:40 pm
Visual Styles of Film Noir: Iconography
Screening: Out of the Past (1947, directed by Jacques Tourneur)

Wednesday, October 10, 6–8:40 pm
Literature and Film: Problems of Adaptation
Screening: The Big Sleep (1946, directed by Howard Hawks)

Wednesday, November 7, 6–8:40 pm
Women in Film Noir: The Virgin and the Femme Fatale
Screening: Body Heat (1981, directed by Lawrence Kasdan)