The Set-Up (1949)

The Set-Up (1949)

The Set-Up from noir director, Robert Wise, is a sharp expose of the fight game packed into a lean 72 minutes. From RKO and filmed at night on a studio lot, this movie is brooding and intense, with Robert Ryan, as the aging boxer, “Stoker” Thompson, in perhaps his best role, with a great supporting cast. The boxing scenes are as real as they get: Ryan himself was a college boxing champ. The arena is brilliantly filmed with focused and repeated shots on selected spectators, which portray not only the excitement, but also the unadorned mob brutality, that reaches fever pitch as the fighters struggle to a climactic finish.

The film opens and ends with zoom shots of a street clock: starting at 9.05pm and ending at 10.17pm – yes – the actual length of the picture…

The Set-Up (1949) The Set-Up (1949)

There are other interesting visual commentaries on the action which mock the existential angst of the protagonists:

The Set-Up (1949) The Set-Up (1949)

The boxers’ dressing room, where Stoker’s essentially decent persona is established from his interactions with the other boxers, is beautifully evoked. Each person in that room is deeply and sympathetically drawn, and these scenes are enthralling. To the movie makers’ credit, remember this is 1949, there is a black boxer, who responds to Stoker’s friendliness, with a heart-felt wish of good luck, after winning his own fight.

The Set-Up (1949) The Set-Up (1949)

A simple story of gut-wrenching humanity. One of the great noirs.

The Set-Up has been packaged with four other films noir in the DVD set Film Noir Classic Collection Vol. 1. The other movies in the DVD set are the noir classics: The Asphalt Jungle, Gun Crazy, Murder My Sweet, and Out of the Past.

4 thoughts on “The Set-Up (1949)”

  1. Superb work by Robert Wise and the outstanding cast led by the wonderful Robert Ryan. The boxing scenes are quite authentic and the ending is bleak and unforgettable. Wise did prestige films such as West Side Story and The Sound of Music but this early noir entry demonstrates his skill and craft as a major filmmaker.

    Like

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s