It was not for want of viewing, that I have not reviewed a movie here for 10 days. At least two movies which while not recognised as noirs, promised significant noir elements, but in the watching were both problematic and revealing.
I am always a sucker for John Garfield. One of his early features from 1939 was a boxing melodrama for Warner Bros, They Made Me a Criminal, directed by, yes, Busby Berkeley. A young boxing champ played by Garfield who likes booze and broads, is framed by his manager for the death of a reporter.
The first 20 minutes are deliciously taut and noirish. The movie opens with the last rounds of a fight in front of a wild crowd. The action shifts to the dressing room after Garfield’s knockout win, where his volatile character is revealed. Cut to his apartment where he is boozing and cavorting with a young and very nubile Ann Sheridan. One thing leads to another, a man is dead, and Garfield is on the run from a murder rap. His manager has beat it in Garfield’s car with Sheridan, and the boxer’s wallet and watch. But they don’t get far – after being chased by the cops they crash into a tree with the girl’s screams extinguished by a fireball as the car explodes. Then Garfield, after being gypped by his shyster lawyer, is on the skids and riding freight trains. We are now in hokum territory with Garfield ultimately redeeming himself and home free.
Next up, an aging George Raft and a sexy Colleen Gray in a 1950 British Romulus production, Lucky Nick Cain (aka I’ll Get You for This), a boys-own thriller shot on location in Southern Italy, co-starring Enzo Staiola (who played the young son in Bicycle Thieves) as a street-kid. Raft plays an American gambler who is framed for the murder of a T-Man by hoods running a counterfeiting operation using a hotel-casino as a front. Gray looks great but isn’t asked to do much. Stock-stuff you might say, and you would be right. But this movie has some distinguished noir elements.
The director Joseph M. Newman (711 Ocean Drive and Dangerous Crossing) and expatriate Czech cinematographer Otto Heller (They Made Me a Fugitive) turn a small Italian town into a noir locale of exquisite mystery, peril, and sinister shadows.
As if this was not enough, there are two out-of-left field scenes that are richly erotic and camp. In the first scene, Raft confronts a sultry blonde femme-fatale boisterously over-played by bit-player Greta Gynt, and engages in some lurid gun-play. Later in the picture, Colleen Gray has been arrested and is interrogated by a towering blonde female butch prison guard in a gothic women’s prison, while the guard is ragged by some b-girls in another cell. When Raft rescues the girl, the guard is placed in the same cell as the b-girls…
All-in-all, not quite the stuff of noir dreams, but not a bad double-feature.
6 thoughts on “What’s a dame like you doing in a movie like this?”
I agree “wholeheartedly” with your review of the 1939
They Made Me a Criminal, starring John Garfield,Ann Sheridan and The Dead End Kids.
But, I have never watched nor even heard of the 1950 film Lucky Nick Cain. (aka I’ll Get You for This) The Czech cinematographer Otto Heller, cinematography looks great!…Thanks, “Great Honorable “Modest” Mentor” (I’am learning so much about films that are considered noir from you…such as Who’s who when it comes to cinematographers, plot, cinematography, whether noir elements are presence in a film, etc,etc, etc)
Btw, Have you ever thought about writing a book about
Well it may not be the “stuff of noir dreams” but to be honest you haven’t many more of the great ones yet to see, even if you do expand your parameters with further reviewings (which of I course I hope you do and would love to read them!) I saw the John Garfield film years back but not the British film. What I remember of it was that it was (as you state, “taut”) and entertaining, with noirish characteristics like the cinematography. This is actually one of your most impressive screen cap layouts yet! Real crisp and textured!
I completely agree with you about the John Garfield film as well, Tony. The first part is so beautifully noirish, it’s too bad to see it become a rather forgettable redemption movie but Garfield sustains audience interest in his character throughout.
I have not seen the other film but you make it sound quite interesting! Terrific piece, as always.
Thanks guys and gal. It is not often I get to claim I have seen a movie not seen by Sam or Alexander 🙂
Dcd, if you knew how I struggle to write my paltry posts, you would know a book is sadly beyond me…
i have been trying to find a copy of lucky nick cain (purley for the name link!!) do you know if it is available?
Nick, I don’t think it is available on DVD. I caught it on late-night TV.